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Chapter 2

Consciousness

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Let us speak of metaphor. The most fascinating property of language is its capacity to make metaphors. But what an understatement! For metaphor is not a mere extra trick of language, as it is so often slighted in the old schoolbooks on composition; it is the very constitutive ground of language. I am using metaphor here in its most general sense: the use of a term for one thing to describe another because of some kind of similarity between them or between their relations to other things. There are thus always two terms in a metaphor, the thing to be described, which I shall call the metaphrand, and the thing or relation used to elucidate it, which I shall call the metaphier. A metaphor is always a known metaphier operating on a less known metaphrand.1 I have coined these hybrid terms simply to echo multiplication where a multiplier operates on a multiplicand.

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It is by metaphor that language grows. The common reply to the question “what is it?” is, when the reply is difficult or the experience unique, “well, it is like—.” In laboratory studies, both children and adults describing nonsense objects (or metaphrands) to others who cannot see them use extended metaphiers that with repetition become contracted into labels.2 This is the major way in which the vocabulary of language is formed. The grand and vigorous function of metaphor is the generation of new language as it is needed, as human culture becomes more and more complex.

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2 See S. Glucksberg, R. M. Krauss, and R. Weisberg, “Referential communication in nursery school children. Method and some preliminary findings,” Journal of Experimental Child Psychology, 1966, 3 333–342.

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A random glance at the etymologies of common words in a dictionary will demonstrate this assertion. Or take the naming of various fauna and flora in their Latin indicants, or even in their wonderful common English names, such as stag beetle, lady’s-slipper, darning needle, Queen Anne’s lace, or buttercup. The human body is a particularly generative metaphier, creating previously unspeakable distinctions in a throng of areas. The head of an army, table, page, bed, ship, household, or nail, or of steam or water; the face of a clock, cliff, card, or crystal; the eyes of needles, winds, storms, targets, flowers, or potatoes; the brow of a hill; the cheeks of a vise; the teeth of cogs or combs; the lips of pitchers, craters, augers; the tongues of shoes, board joints, or railway switches; the arm of a chair or the sea; the leg of a table, compass, sailor’s voyage, or cricket field; and so on and on. Or the foot of this page. Or the leaf you will soon turn. All of these concrete metaphors increase enormously our powers of perception of the world about us and our understanding of it, and literally create new objects. Indeed, language is an organ of perception, not simply a means of communication.

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This is language moving out synchronically (or without reference to time) into the space of the world to describe it and perceive it more and more definitively. But language also moves in another and more important way, diachronically, or through time, and behind our experiences on the basis of aptic structures in our nervous systems to create abstract concepts whose referents are not observables except in a metaphorical sense. And these too are generated by metaphor. This is indeed the nub (knob), heart, pith, kernel, core, marrow, etc. of my argument, which itself is a metaphor and ‘seen’ only with the mind’s ‘eye’.

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In the abstractions of human relations, the skin becomes a particularly important metaphier. We get or stay ‘in touch’ with others who may be ‘thick-’ or ‘thin-skinned’ or perhaps ‘touchy’ in which case they have to be ‘handled’ carefully lest we ‘rub’ them the wrong way; we may have a ‘feeling’ for another person with whom we may have a ‘touching’ experience.3

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The concepts of science are all of this kind, abstract concepts generated by concrete metaphors. In physics, we have force, acceleration (to increase one’s steps), inertia (originally an indolent person), impedance, resistance, fields, and now charm. In physiology, the metaphier of a machine has been at the very center of discovery. We understand the brain by metaphors to everything from batteries and telegraphy to computers and holograms. Medical practice is sometimes dictated by metaphor. In the eighteenth century, the heart in fever was like a boiling pot, and so bloodletting was prescribed to reduce its fuel. And even today, a great deal of medicine is based upon the military metaphor of defense of the body against attacks of this or that. The very concept of law in Greek derives from nomos, the word for the foundations of a building. To be liable, or bound in law, comes from the Latin ligare, meaning to bind with cord.

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In early times, language and its referents climbed up from the concrete to the abstract on the steps of metaphors, even, we may say, created the abstract on the bases of metaphors.

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It is not always obvious that metaphor has played this allimportant function. But this is because the concrete metaphiers become hidden in phonemic change, leaving the words to exist on their own. Even such an unmetaphorical-sounding word as the verb ‘to be’ was generated from a metaphor. It comes from the Sanskrit bhu, “to grow, or make grow,” while the English forms ‘am’ and ‘is’ have evolved from the same root as the Sanskrit asmi, “to breathe.” It is something of a lovely surprise that the irregular conjugation of our most nondescript verb is thus a record of a time when man had no independent word for ‘existence’ and could only say that something ‘grows’ or that it “breathes.”4 Of course we are not conscious that the concept of being is thus generated from a metaphor about growing and breathing. Abstract words are ancient coins whose concrete images in the busy give-and-take of talk have worn away with use.

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Because in our brief lives we catch so little of the vastnesses of history, we tend too much to think of language as being solid as a dictionary, with a granite-like permanence, rather than as the rampant restless sea of metaphor which it is. Indeed, if we consider the changes in vocabulary that have occurred over the last few millennia, and project them several millennia hence, an interesting paradox arises. For if we ever achieve a language that has the power of expressing everything, then metaphor will no longer be possible. I would not say, in that case, my love is like a red, red rose, for love would have exploded into terms for its thousands of nuances, and applying the correct term would leave the rose metaphorically dead.

The lexicon of language, then, is a finite set of terms that by metaphor is able to stretch out over an infinite set of circumstances, even to creating new circumstances thereby.

(Could consciousness be such a new creation?)

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We are trying to understand consciousness, but what are we really trying to do when we try to understand anything? Like children trying to describe nonsense objects, so in trying to understand a thing we are trying to find a metaphor for that thing. Not just any metaphor, but one with something more familiar and easy to our attention. Understanding a thing is to arrive at a metaphor for that thing by substituting something more familiar to us. And the feeling of familiarity is the feeling of understanding.

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Generations ago we would understand thunderstorms perhaps as the roaring and rumbling about in battle of superhuman gods. We would have reduced the racket that follows the streak of lightning to familiar battle sounds, for example. Similarly today, we reduce the storm to various supposed experiences with friction, sparks, vacuums, and the imagination of bulgeous banks of burly air smashing together to make the noise. None of these really exist as we picture them. Our images of these events of physics are as far from the actuality as fighting gods. Yet they act as the metaphor and they feel familiar and so we say we understand the thunderstorm.

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So, in other areas of science, we say we understand an aspect of nature when we can say it is similar to some familiar theoretical model. The terms theory and model, incidentally, are sometimes used interchangeably. But really they should not be. A theory is a relationship of the model to the things the model is supposed to represent. The Bohr model of the atom is that of a proton surrounded by orbiting electrons. It is something like the pattern of the solar system, and that is indeed one of its metaphoric sources. Bohr’s theory was that all atoms were similar to his model. The theory, with the more recent discovery of new particles and complicated interatomic relationships, has turned out not to be true. But the model remains. A model is neither true nor false; only the theory of its similarity to what it represents.

A theory is thus a metaphor between a model and data. And understanding in science is the feeling of similarity between complicated data and a familiar model.

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If understanding a thing is arriving at a familiarizing metaphor for it, then we can see that there always will be a difficulty in understanding consciousness. For it should be immediately apparent that there is not and cannot be anything in our immediate experience that is like immediate experience itself. There is therefore a sense in which we shall never be able to understand consciousness in the same way that we can understand things that we are conscious of.

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Most of the errors about consciousness that we have been studying have been errors of attempted metaphors. We spoke of the notion of consciousness being a copy of experience coming out of the explicit metaphor of a schoolboy’s slate. But of course no one really meant consciousness copies experience; it was as if it did. And we found on analysis, of course, that it did no such thing.

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And even the idea behind that last phrase, that consciousness does anything at all, even that is a metaphor. It is saying that consciousness is a person behaving in physical space who does things, and this is true only if ‘does’ is a metaphor as well. For to do things is some kind of behavior in a physical world by a living body. And also in what ‘space’ is the metaphorical ‘doing’ being done? (Some of the dust is beginning to settle.) This ‘space’ too must be a metaphor of real space. All of which is reminiscent of our discussion of the location of consciousness, also a metaphor. Consciousness is being thought of as a thing, and so like other things must have a location, which, as we saw earlier, it does not actually have in the physical sense.

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I realize that my argument here is becoming fairly dense. But before coming out into the clearing, I wish to describe what I shall mean by the term analog. An analog is a model, but a model of a special kind. It is not like a scientific model, whose source may be anything at all and whose purpose is to ad as an hypothesis of explanation or understanding. Instead, an analog is at every point generated by the thing it is an analog of. A map is a good example. It is not a model in the scientific sense, not a hypothetical model like the Bohr atom to explain something unknown. Instead, it is constructed from something well known, if not completely known. Each region of a district of land is allotted a corresponding region on the map, though the materials of land and map are absolutely different and a large proportion of the features of the land have to be left out. And the relation between an analog map and its land is a metaphor. If I point to a location on a map and say, “There is Mont Blanc and from Chamonix we can reach the east face this way,” that is really a shorthand way of saying, “The relations between the point labeled ‘Mont Blanc’ and other points is similar to the actual Mont Blanc and its neighboring regions.”

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I think it is apparent now, at least dimly, what is emerging from the debris of the previous chapter. I do not now feel myself proving my thesis to you step by step, so much as arranging in your mind certain notions so that, at the very least, you will not be immediately estranged from the point I am about to make. My procedure here in what I realize is a difficult and overtly diffuse part of this book is to simply state in general terms my conclusion and then clarify what it implies.

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Subjective conscious mind is an analog of what is called the real world. It is built up with a vocabulary or lexical field whose terms are all metaphors or analogs of behavior in the physical world. Its reality is of the same order as mathematics. It allows us to shortcut behavioral processes and arrive at more adequate decisions. Like mathematics, it is an operator rather than a thing or repository. And it is intimately bound up with volition and decision.

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Consider the language we use to describe conscious processes. The most prominent group of words used to describe mental events are visual. We ‘see’ solutions to problems, the best of which may be ‘brilliant’, and the person ‘brighter’ and ‘clearheaded’ as opposed to ‘dull’, ‘fuzzy-minded’, or ‘obscure’ solutions. These words are all metaphors and the mind-space to which they apply is a metaphor of actual space. In it we can ‘approach’ a problem, perhaps from some ‘viewpoint’, and ‘grapple’ with its difficulties, or seize together or ‘com-prehend’ parts of a problem, and so on, using metaphors of behavior to invent things to do in this metaphored mind-space.

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And the adjectives to describe physical behavior in real space are analogically taken over to describe mental behavior in mind-space when we speak of our minds as being ‘quick,’ ‘slow’, ‘agitated’ (as when we cogitate or co-agitate), ‘nimble-witted’, ‘strong-’ or ‘weak-minded.’ The mind-space in which these metaphorical activities go on has its own group of adjectives; we can be ‘broad-minded’, ‘deep’, ‘open’, or ‘narrow-minded’; we can be ‘occupied’; we can ‘get something off our minds’, ‘put something out of mind’, or we can ‘get it’, let something ‘penetrate’, or ‘bear’, ‘have’, ‘keep’, or ‘hold’ it in mind.

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As with a real space, something can be at the ‘back’ of our mind, in its ‘inner recesses’, or ‘beyond’ our mind, or ‘out’ of our mind. In argument we try to ‘get things through’ to someone, to ‘reach’ their ‘understanding’ or find a ‘common ground’, or ‘point out’, etc., all actions in real space taken over analogically into the space of the mind.

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But what is it we are making a metaphor of? We have seen that the usual function of metaphor is a wish to designate a particular aspect of a thing or to describe something for which words are not available. That thing to be designated, described, expressed, or lexically widened is what we have called the metaphrand. We operate upon this by some similar, more familiar thing, called a metaphier. Originally, of course, the purpose was intensely practical, to designate an arm of the sea as a better place for shellfish, or to put a head on a nail that it might better hold a board to a stanchion. The metaphiers here were arm and head, and the metaphrands a particular part of the sea and particular end of the nail that already existed. Now when we say mind-space is a metaphor of real space, it is the real ‘external’ world that is the metaphier. But if metaphor generates consciousness rather than simply describes it, what is the metaphrand?

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If we look more carefully at the nature of metaphor (noticing all the while the metaphorical nature of almost everything we are saying), we find (even the verb “find”!) that it is composed of more than a metaphier and a metaphrand. There are also at the bottom of most complex metaphors various associations or attributes of the metaphier which I am going to call paraphiers. And these paraphiers project back into the metaphrand as what I shall call the paraphrands of the metaphrand. Jargon, yes, but absolutely necessary if we are to be crystal clear about our referents.

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Some examples will show that the unraveling of metaphor into these four parts is really quite simple, as well as clarifying what otherwise we could not speak about.

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Consider the metaphor that the snow blankets the ground. The metaphrand is something about the completeness and even thickness with which the ground is covered by snow. The metaphier is a blanket on a bed. But the pleasing nuances of this metaphor are in the paraphiers of the metaphier, blanket. These are something about warmth, protection, and slumber until some period of awakening. These associations of blanket then automatically become the associations or paraphrands of the original metaphrand, the way the snow covers the ground. And we thus have created by this metaphor the idea of the earth sleeping and protected by the snow cover until its awakening in spring. All this is packed into the simple use of the word ‘blanket’ to pertain to the way snow covers the ground.

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Not all metaphors, of course, have such generative potential. In that often-cited one that a ship plows the sea, the metaphrand is the particular action of the bow of the ship through the water, and the metaphier is plowing action. The correspondence is exact. And that is the end of it.

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But if I say the brook sings through the woods, the similarity of the metaphrand of the brook’s bubbling and gurgling and the metaphier of (presumably) a child singing is not at all exact. It is the paraphiers of joy and dancingness becoming the paraphrands of the brook that are of interest.

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Or in the many-poemed comparison of love to a rose, it is not the tenuous correspondence of metaphrand and metaphier but the paraphrands that engage us, that love lives in the sun, smells sweet, has thorns when grasped, and blooms for a season only. Or suppose I say less visually and so more profoundly something quite opposite, that my love is like a tinsmith’s scoop, sunk past its gleam in the meal-bin.5 The immediate correspondence here of metaphrand and metaphier, of being out of casual sight, is trivial. Instead, it is the paraphrands of this metaphor which create what could not possibly be there, the enduring careful shape and hidden shiningness and holdingness of a lasting love deep in the heavy manipulable softnesses of mounding time, the whole simulating (and so paraphranding) sexual intercourse from a male point of view. Love has not such properties except as we generate them by metaphor.

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Of such poetry is consciousness made. This can be seen if we return to some of the metaphors of mind we have earlier looked at. Suppose we are trying to solve some simple problem such as the circle-triangle series in the previous chapter. And suppose we express the fact that we have obtained the solution by exclaiming that at last we ‘see’ what the answer is, namely, a triangle.

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This metaphor may be analyzed just as the blanket of snow or the singing brook. The metaphrand is obtaining the solution, the metaphier is sight with the eyes, and the paraphiers are all those things associated with vision that then create paraphrands, such as the mind’s ‘eye’, ‘seeing the solution clearly’ etc., and, most important, the paraphrand of a ‘space’ in which the ‘seeing’ is going on, or what I am calling mind-space, and ‘objects’ to ‘see.’

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I do not mean this brief sketch to stand in for a real theory of how consciousness was generated in the first place. That problem we shall come to in Book II. Rather I intend only to suggest the possibility that I hope to make plausible later, that consciousness is the work of lexical metaphor. It is spun out of the concrete metaphiers of expression and their paraphiers, projecting paraphrands that exist only in the functional sense. Moreover, it goes on generating itself, each new paraphrand capable of being a metaphrand on its own, resulting in new metaphiers with their paraphiers, and so on.

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Of course this process is not and cannot be as haphazard as I am making it sound. The world is organized, highly organized, and the concrete metaphiers that are generating consciousness thus generate consciousness in an organized way. Hence the similarity of consciousness and the physical-behavioral world we are conscious of. And hence the structure of that world is echoed —though with certain differences—in the structure of consciousness.

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One last complication before going on. A cardinal property of an analog is that the way it is generated is not the way it is used—obviously. The map-maker and map-user are doing two different things. For the map-maker, the metaphrand is the blank piece of paper on which he operates with the metaphier of the land he knows and has surveyed. But for the map-user, it is just the other way around. The land is unknown; it is the land that is the metaphrand, while the metaphier is the map which he is using, by which he understands the land.

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And so with consciousness. Consciousness is the metaphrand when it is being generated by the paraphrands of our verbal expressions. But the functioning of consciousness is, as it were, the return journey. Consciousness becomes the metaphier full of our past experience, constantly and selectively operating on such unknowns as future actions, decisions, and partly remembered pasts, on what we are and yet may be. And it is by the generated structure of consciousness that we then understand the world.

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What kinds of things can we say about that structure? Here I shall briefly allude to only the most important.

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I. Spatialization. The first and most primitive aspect of consciousness is what we already have had occasion to refer to, the paraphrand of almost every mental metaphor we can make, the mental space which we take over as the very habitat of it all. If I ask you to think of your head, then your feet, then the breakfast you had this morning, and then the Tower of London, and then the constellation of Orion, these things have the quality of being spatially separated; and it is this quality I am here referring to. When we introspect (a metaphor of seeing into something), it is upon this metaphorical mind-space which we are constantly renewing and ‘enlarging’ with each new thing or relation consdousized.

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In Chapter 1, we spoke of how we invent mind-space inside our own heads as well as the heads of others. The word invent is perhaps too strong except in the ontological sense. We rather assume these ‘spaces’ without question. They are a part of what it is to be conscious and what it is to assume consciousness in others.

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Moreover, things that in the physical-behavioral world do not have a spatial quality are made to have such in consciousness. Otherwise we cannot be conscious of them. This we shall call spatialization.

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Time is an obvious example. If I ask you to think of the last hundred years, you may have a tendency to excerpt the matter in such a way that the succession of years is spread out, probably from left to right. But of course there is no left or right in time. There is only before and after, and these do not have any spatial properties whatever—except by analog. You cannot, absolutely cannot think of time except by spatializing it. Consciousness is always a spatialization in which the diachronic is turned into the synchronic, in which what has happened in time is excerpted and seen in side-by-sideness.

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This spatialization is characteristic of all conscious thought. If you are now thinking of where in all the theories of mind my particular theory fits, you are first habitually ‘turning’ to your mind-space where abstract things can be ‘separated out’ and ‘put beside’ each other to be ‘looked at’—as could never happen physically or in actuality. You then make the metaphor of theories as concrete objects, then the metaphor of a temporal suecession of such objects as a synchronic array, and thirdly, the metaphor of the characteristics of theories as physical characteristics, all of some degree so they can be ‘arranged’ in a kind of order. And you then make the further expressive metaphor of ‘fit’. The actual behavior of fitting, of which ‘fit’ here is the analog in consciousness, may vary from person to person or from culture to culture, depending on personal experience of arranging things in some kind of order, or of fitting objects into their receptacles, etc. The metaphorical substrate of thought is thus sometimes very complicated, and difficult to unravel. But every conscious thought that you are having in reading this book can by such an analysis be traced back to concrete actions in a concrete world.

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  1. Excerption. In consciousness, we are never ‘seeing’ anything in its entirety. This is because such ‘seeing’ is an analog of actual behavior; and in actual behavior we can only see or pay attention to a part of a thing at any one moment. And so in consciousness. We excerpt from the collection of possible attentions to a thing which comprises our knowledge of it. And this is all that it is possible to do since consciousness is a metaphor of our actual behavior.

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Thus, if I ask you to think of a circus, for example, you will first have a fleeting moment of slight fuzziness, followed perhaps by a picturing of trapeze artists or possibly a clown in the center ring. Or, if you think of the city which you are now in, you will excerpt some feature, such as a particular building or tower or crossroads. Or if I ask you to think of yourself, you will make some kind of excerpts from your recent past, believing you are then thinking of yourself. In all these instances, we find no difficulty or particular paradox in the fact that these excerpts are not the things themselves, although we talk as if they were. Actually we are never conscious of things in their true nature, only of the excerpts we make of them.

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The variables controlling excerption are deserving of much more thought and study. For on them the person’s whole consciousness of the world and the persons with whom he is interacting depend. Your excerptions of someone you know well are heavily associated with your affect toward him. If you like him, the excerpts will be the pleasant things; if not, the unpleasant. The causation may be in either direction.

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How we excerpt other people largely determines the kind of world we feel we are living in. Take for example one’s relatives when one was a child. If we excerpt them as their failures, their hidden conflicts, their delusions, well, that is one thing. But if we excerpt them at their happiest, in their idiosyncratic delights, it is quite another world. Writers and artists are doing in a controlled way what happens ‘in’ consciousness more haphazardly.

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Excerption is distinct from memory. An excerpt of a thing is in consciousness the representative of the thing or event to which memories adhere, and by which we can retrieve memories. If I wish to remember what I was doing last summer, I first have an excerption of the time concerned, which may be a fleeting image of a couple of months on the calendar, until I rest in an excerption of a particular event, such as walking along a particular riverside. And from there I associate around it and retrieve memories about last summer. This is what we mean by reminiscence, and it is a particular conscious process which no animal is capable of. Reminiscence is a succession of excerptions. Each so-called association in consciousness is an excerption, an aspect or image, if you will, something frozen in time, excerpted from the experience on the basis of personality and changing situational factors.6

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6 Individual differences and changes in the excerptions with age or health are an exceedingly interesting study. For example, if we are depressed or suffering, the excerptions of the world in consciousness change dramatically.

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  1. The Analog ‘I’. A most important ‘feature’ of this metaphor ‘world’ is the metaphor we have of ourselves, the analog ‘I’, which can ‘move about’ vicarially in our ‘imagination’, ‘doing’ things that we are not actually doing. There are of course many uses for such an analog ‘I’. We imagine ‘ourselves’ ‘doing’ this or that, and thus ‘make’ decisions on the basis of imagined ‘outcomes’ that would be impossible if we did not have an imagined ‘self’ behaving in an imagined ‘world’. In the example in the section on spatialization, it was not your physical behavioral self that was trying to ‘see’ where my theory ‘fits’ into the array of alternative theories. It was your analog ‘I’.

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If we are out walking, and two roads diverge in a wood, and we know that one of them comes back to our destination after a much more circuitous route, we can ‘traverse’ that longer route with our analog ‘I’ to see if its vistas and ponds are worth the longer time it will take. Without consciousness with its vicarial analog ‘I’, we could not do this.

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  1. The Metaphor ‘Me’. The analog ‘I’ is, however, not simply that. It is also a metaphor ‘me’ As we imagine ourselves strolling down the longer path we indeed catch ‘glimpses’ of ‘ourselves’, as we did in the exercises of Chapter 1, where we called them autoscopic images. We can both look out from within the imagined self at the imagined vistas, or we can step back a bit and see ourselves perhaps kneeling down for a drink of water at a particular brook. There are of course quite profound problems here, particularly in the relationship of the ‘I’ to the ‘me’. But that is another treatise. And I am only indicating the nature of the problem.

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  1. Narratization. In consciousness, we are always seeing our vicarial selves as the main figures in the stories of our lives. In the above illustration, the narratization is obvious, namely, walking along a wooded path. But it is not so obvious that we are constantly doing this whenever we are being conscious, and this I call narratization. Seated where I am, I am writing a book and this fact is imbedded more or less in the center of the story of my life, time being spatialized into a journey of my days and years.

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New situations are selectively perceived as part of this ongoing story, perceptions that do not fit into it being unnoticed or at least unremembered. More important, situations are chosen which are congruent to this ongoing story, until the picture I have of myself in my life story determines how I am to act and choose in novel situations as they arise.

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The assigning of causes to our behavior or saying why we did a particular thing is all a part of narratization. Such causes as reasons may be true or false, neutral or ideal. Consciousness is ever ready to explain anything we happen to find ourselves doing. The thief narratizes his act as due to poverty, the poet his as due to beauty, and the scientist his as due to truth, purpose and cause inextricably woven into the spatialization of behavior in consciousness.

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But it is not just our own analog ‘I’ that we are narratizing; it is everything else in consciousness. A stray fact is narratized to fit with some other stray fact. A child cries in the street and we narratize the event into a mental picture of a lost child and a parent searching for it. A cat is up in a tree and we narratize the event into a picture of a dog chasing it there. Or the facts of mind as we can understand them into a theory of consciousness.

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  1. Conciliation. A final aspect of consciousness I wish to mention here is modeled upon a behavioral process common to most mammals. It really springs from simple recognition, where a slightly ambiguous perceived object is made to conform to some previously learned schema, an automatic process sometimes called assimilation. We assimilate a new stimulus into our conception or schema about it, even though it is slightly different. Since we never from moment to moment see or hear or touch things in exactly the same way, this process of assimilation into previous experience is going on all the time as we perceive our world. We are putting things together into recognizable objects on the basis of the previously learned schemes we have of them.

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Now assimilation consciousized is conciliation. A better term for it might be compatibilization, but that seems something too rococo. What I am designating by conciliation is essentially doing in mind-space what narratization does in mind-time or spatialized time. It brings things together as conscious objects just as narratization brings things together as a story. And this fitting together into a consistency or probability is done according to rules built up in experience.

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In conciliation we are making excerpts or narratizations compatible with each other, just as in external perception the new stimulus and the internal conception are made to agree. If we are narratizing ourselves as walking along a wooded path, the succession of excerpts is automatically made compatible with such a journey. Or if in daydreaming two excerpts or narratizations happen to begin occurring at the same time, they are fused or conciliated.

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If I ask you to think of a mountain meadow and a tower at the same time, you automatically conciliate them by having the tower rising from the meadow. But if I ask you to think of the mountain meadow and an ocean at the same time, conciliation tends not to occur and you are likely to think of one and then the other. You can only bring them together by a narratization. Thus there are principles of compatibility that govern this process, and such principles are learned and are based on the structure of the world.

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Let me summarize as a way of ‘seeing’ where we are and the direction in which our discussion is going. We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog ‘I’ that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space. Conscious mind is a spatial analog of the world and mental acts are analogs of bodily acts. Consciousness operates only on objectively observable things. Or, to say it another way with echoes of John Locke, there is nothing in consciousness that is not an analog of something that was in behavior first.

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This has been a difficult chapter. But I hope I have sketched out with some plausibility that the notion of consciousness as a metaphor-generated model of the world leads to some quite definite deductions, and that these deductions are testable in our own everyday conscious experience. It is only, of course, a beginning, a somewhat rough-hewn beginning, which I hope to develop in a future work. But it is enough to return now to our major inquiry of the origin of it all, saving further amplification of the nature of consciousness itself for later chapters.

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If consciousness is this invention of an analog world on the basis of language, paralleling the behavioral world even as the world of mathematics parallels the world of quantities of things, what then can we say about its origin?

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We have arrived at a very interesting point in our discussion, and one that is completely contradictory to all of the alternative solutions to the problem of the origin of consciousness which we discussed in the introductory chapter. For if consciousness is based on language, then it follows that it is of a much more recent origin than has heretofore been supposed. Consciousness come after language! The implications of such a position are extremely serious.

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Chapter 1

The Consciousness of Consciousness

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WHEN ASKED the question, what is consciousness? we become conscious of consciousness. And most of us take this consciousness of consciousness to be what consciousness is. This is not true.

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In being conscious of consciousness, we feel it is the most self-evident thing imaginable. We feel it is the defining attribute of all our waking states, our moods and affections, our memories, our thoughts, attentions, and volitions. We feel comfortably certain that consciousness is the basis of concepts, of learning and reasoning, of thought and judgment, and that it is so because it records and stores our experiences as they happen, allowing us to introspect on them and learn from them at will. We are also quite conscious that all this wonderful set of operations and contents that we call consciousness is located somewhere in the head.

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On critical examination, all of these statements are false. They are the costume that consciousness has been masquerading in for centuries. They are the misconceptions that have prevented a solution to the problem of the origin of consciousness. To demonstrate these errors and show what consciousness is not, is the long but I hope adventurous task of this chapter.

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To begin with, there are several uses of the word consciousness which we may immediately discard as incorrect. We have for example the phrase “to lose consciousness” after receiving a blow on the head. But if this were correct, we would then have no word for those somnambulistic states known in the clinical literature where an individual is clearly not conscious and yet is responsive to things in a way in which a knocked-out person is not. Therefore, in the first instance we should say that the person suffering a severe blow on the head loses both consciousness and what I am calling reactivity, and they are therefore different things.

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This distinction is also important in normal everyday life. We are constantly reacting to things without being conscious of them at the time. Sitting against a tree, I am always reacting to the tree and to the ground and to my own posture, since if I wish to walk, I will quite unconsciously stand up from the ground to do so.

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Immersed in the ideas of this first chapter, I am rarely conscious even of where I am. In writing, I am reacting to a pencil in my hand since I hold on to it, and am reacting to my writing pad since I hold it on my knees, and to its lines since I write upon them, but I am only conscious of what I am trying to say and whether or not I am being clear to you.

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If a bird bursts up from the copse nearby and flies crying to the horizon, I may turn and watch it and hear it, and then turn back to this page without being conscious that I have done so.

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In other words, reactivity covers all stimuli my behavior takes account of in any way, while consciousness is something quite distinct and a far less ubiquitous phenomenon. We are conscious of what we are reacting to only from time to time. And whereas reactivity can be defined behaviorally and neurologically, consciousness at the present state of knowledge cannot.

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But this distinction is much more far-reaching. We are continually reacting to things in ways that have no phenomenal component in consciousness whatever. Not at any time. In seeing any object, our eyes and therefore our retinal images are reacting to the object by shifting twenty times a second, and yet we see an unshifting stable object with no consciousness whatever of the succession of different inputs or of putting them together into the object. An abnormally small retinal image of something in the proper context is automatically seen as something at a distance; we are not conscious of making the correction. Color and light contrast effects, and other perceptual constancies all go on every minute of our waking and even dreaming experience without our being in the least conscious of them. And these instances are barely touching the multitude of processes which by the older definitions of consciousness one might expect to be conscious of, but which we definitely are not. I am here thinking of Titchener’s designation of consciousness as “the sum total of mental processes occurring now.” We are now very far from such a position.

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But let us go further. Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of. How simple that is to say; how difficult to appreciate! It is like asking a flashlight in a dark room to search around for something that does not have any light shining upon it. The flashlight, since there is light in whatever direction it turns, would have to conclude that there is light everywhere. And so consciousness can seem to pervade all mentality when actually it does not.

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The timing of consciousness is also an interesting question. When we are awake, are we conscious all the time? We think so. In fact, we are sure so! I shut my eyes and even if I try not to think, consciousness still streams on, a great river of contents in a succession of different conditions which I have been taught to call thoughts, images, memories, interior dialogues, regrets, wishes, resolves, all interweaving with the constantly changing pageant of exterior sensations of which I am selectively aware. Always the continuity. Certainly this is the feeling. And whatever we’re doing, we feel that our very self, our deepest of deep identity, is indeed this continuing flow that only ceases in sleep between remembered dreams. This is our experience. And many thinkers have taken this spirit of continuity to be the place to start from in philosophy, the very ground of certainty which no one can doubt. Cogito, ergo sum.

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But what could this continuity mean? If we think of a minute as being sixty thousand milliseconds, are we conscious for every one of those milliseconds? If you still think so, go on dividing the time units, remembering that the firing of neurons is of a finite order—although we have no idea what that has to do with our sense of the continuity of consciousness. Few persons would wish to maintain that consciousness somehow floats like a mist above and about the nervous system completely ununited to any earthly necessities of neural refractory periods.

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It is much more probable that the seeming continuity of consciousness is really an illusion, just as most of the other metaphors about consciousness are. In our flashlight analogy, the flashlight would be conscious of being on only when it is on. Though huge gaps of time occurred, providing things were generally the same, it would seem to the flashlight itself that the light had been continuously on. We are thus conscious less of the time than we think, because we cannot be conscious of when we are not conscious. And the feeling of a great uninterrupted stream of rich inner experiences, now slowly gliding through dreamy moods, now tumbling in excited torrents down gorges of precipitous insight, or surging evenly through our nobler days, is what it is on this page, a metaphor for how subjective consciousness seems to subjective consciousness.

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But there is a better way to point this out. If you close your left eye and stare at the left margin of this page, you are not at all conscious of a large gap in your vision about four inches to the right. But, still staring with your right eye only, take your finger and move it along a line of print from the left margin to the right, and you will see the top of it disappear into this gap and then reappear on the other side. This is due to a two-millimeter gap on the nasal side of the retina where the optic nerve fibers are gathered together and leave the eye for the brain.1 The interesting thing about this gap is that it is not so much a blind spot as it is usually called; it is a non-spot. A blind man sees his darkness.2 But you cannot see any gap in your vision at all, let alone be conscious of it in any way. Just as the space around the blind spots is joined without any gap at all, so consciousness knits itself over its time gaps and gives the illusion of continuity.

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1 A better technique of noticing the blind spot is to take two pieces of paper about a half-inch square, and while holding them about a foot and a half in front of you, fixate on one with one eye, and move the other piece of paper out on the same side until it disappears.

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2 Except when the cause of blindness is in the brain. For example, soldiers wounded in one or the other occipital areas of the cortex, with large parts of the visual field destroyed, are not conscious of any alteration in their vision. Looking straight ahead, they have the illusion of seeing a complete visual world, as you or I do.

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Consciousness is often not only unnecessary; it can be quite undesirable. Our pianist suddenly conscious of his fingers during a furious set of arpeggios would have to stop playing. Nijinsky somewhere says that when he danced, it was as if he were in the orchestra pit looking back at himself; he was not conscious of every movement, but of how he was looking to others. A sprinter may be conscious of where he is relative to the others in the race, but he is certainly not conscious of putting one leg in front of the other; such consciousness might indeed cause him to trip. And anyone who plays tennis at my indifferent level knows the exasperation of having his service suddenly ‘go to pieces’ and of serving consecutive double faults! The more doubles, the more conscious one becomes of one’s motions (and of one’s disposition!) and the worse things get.4

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4 The present writer improvises on the piano, and his best playing is when he is not conscious of the performance side as he invents new themes or developments, but only when he is somnambulistic about it and is conscious of his playing only as if he were another person.

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Such phenomena of exertion are not to be explained away on the basis of physical excitement, for the same phenomena in regard to consciousness occur in less strenuous occupations. Right at this moment, you are not conscious of how you are sitting, of where your hands are placed, of how fast you are reading, though even as I mentioned these items, you were. And as you read, you are not conscious of the letters or even of the words or even of the syntax or the sentences and punctuation, but only of their meaning. As you listen to an address, phonemes disappear into words and words into sentences and sentences disappear into what they are trying to say, into meaning. To be conscious of the elements of speech is to destroy the intention of the speech.

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And also on the production side. Try speaking with a full consciousness of your articulation as you do it. You will simply stop speaking.

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And so in writing, it is as if the pencil or pen or typewriter itself spells the words, spaces them, punctuates properly, goes to the next line, does not begin consecutive sentences in the same way, determines that we place a question here, an exclamation there, even as we ourselves are engrossed in what we are trying to express and the person we are addressing.

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For in speaking or writing we are not really conscious of what we are actually doing at the time. Consciousness functions in the decision as to what to say, how we are to say it, and when we say it, but then the orderly and accomplished succession of phonemes or of written letters is somehow done for us.

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Although the metaphor of the blank mind had been used in the writings ascribed to Aristotle, it is really only since John Locke thought of the mind as a tabula rasa in the seventeenth century that we have emphasized this recording aspect of consciousness, and thus see it crowded with memories that can be read over again in introspection. If Locke had lived in our time, he would have used the metaphor of a camera rather than a slate. But the idea is the same. And most people would protest emphatically that the chief function of consciousness is to store up experience, to copy it as a camera does, so that it can be reflected upon at some future time.

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So it seems. But consider the following problems: Does the door of your room open from the right or the left? Which is your second longest finger? At a stoplight, is it the red or the green that is on top? How many teeth do you see when brushing your teeth? What letters are associated with what numbers on a telephone dial? If you are in a familiar room, without turning around, write down all the items on the wall just behind you, and then look.

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I think you will be surprised how little you can retrospect in consciousness on the supposed images you have stored from so much previous attentive experience. If the familiar door suddenly opened the other way, if another finger suddenly grew longer, if the red light were differently placed, or you had an extra tooth, or the telephone were made differently, or a new window latch had been put on the window behind you, you would know it immediately, showing that you all along ‘knew’, but not consciously so. Familiar to psychologists, this is the distinction between recognition and recall. What you can consciously recall is a thimbleful to the huge oceans of your actual knowledge.

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Experiments of this sort demonstrate that conscious memory is not a storing up of sensory images, as is sometimes thought. Only if you have at some time consciously noticed your finger lengths or your door, have at some time counted your teeth, though you have observed these things countless times, can you remember. Unless you have particularly noted what is on the wall or recently cleaned or painted it, you will be surprised at what you have left out. And introspect upon the matter. Did you not in each of these instances ask what must be there? Starting with ideas and reasoning, rather than with any image? Conscious retrospection is not the retrieval of images, but the retrieval of what you have been conscious of before,5 and the reworking of these elements into rational or plausible patterns.

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5 See in this connection the discussion of Robert S. Woodworth in his Psychological Issues (New York: Columbia University Press, 1939), Ch. 7.

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Let us demonstrate this in another way. Think, if you will, of when you entered the room you are now in and when you picked up this book. Introspect upon it and then ask the question: are the images of which you have copies the actual sensory fields as you came in and sat down and began reading? Don’t you have an image of yourself coming through one of the doors, perhaps even a bird’s-eye view of one of the entrances, and then perhaps vaguely see yourself sitting down and picking up the book? Things which you have never experienced except in this introspection! And can you retrieve the sound fields around the event? Or the cutaneous sensations as you sat, took the pressure off your feet, and opened this book? Of course, if you go on with your thinking you can also rearrange your imaginal retrospection such that you do indeed ‘see’ entering the room just as it might have been; and ‘hear’ the sound of the chair and the book opening, and ‘feel’ the skin sensations. But I suggest that this has a large element of created imagery—what we shall call narratizing a little later—of what the experience should be like, rather than what it actually was like.

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Or introspect on when you last went swimming: I suspect you have an image of a seashore, lake, or pool which is largely a retrospection, but when it comes to yourself swimming, lo! like Nijinsky in his dance, you are seeing yourself swim, something that you have never observed at all! There is precious little of the actual sensations of swimming, the particular waterline across your face, the feel of the water against your skin, or to what extent your eyes were underwater as you turned your head to breathe.6 Similarly, if you think of the last time you slept out of doors, went skating, or—if all else fails—did something that you regretted in public, you tend not to see, hear, or feel things as you actually experienced them, but rather to re-create them in objective terms, seeing yourself in the setting as if you were somebody else. Looking back into memory, then, is a great deal invention, seeing yourself as others see you. Memory is the medium of the must-have-been. Though I have no doubt that in any of these instances you could by inference invent a subjective view of the experience, even with the conviction that it was the actual memory.

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6 An example taken from Donald Hebb’s provocative discussion, “The mind’s eye,” Psychology Today, 1961, 2

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A further major confusion about consciousness is the belief that it is specifically and uniquely the place where concepts are formed. This is a very ancient idea: that we have various concrete conscious experiences and then put the similar ones together into a concept. This idea has even been the paradigm of a slew of experiments by psychologists who thought they were thus studying concept formation.

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Max MĂŒller, in one of his fascinating discussions in the last century, brought the problem to a point by asking, whoever saw a tree? “No one ever saw a tree, but only this or that fir tree, or oak tree, or apple tree 
 Tree, therefore, is a concept, and as such can never be seen or perceived by the senses.”7 Particular trees alone were outside in the environment, and only in consciousness did the general concept of tree exist.

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7 Max MĂŒller, The Science of Thought (London: Longmans Green, 1887), 78–79. Eugenio Rignano in his The Psychology of Reasoning (New York Harcourt, Brace, 1923), p. 108f., makes a similar criticism to mine.

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Now the relation between concepts and consciousness could have an extensive discussion. But let it suffice here simply to show that there is no necessary connection between them. When Muller says no one has ever seen a tree, he is mistaking what he knows about an object for the object itself. Every weary wayfarer after miles under the hot sun has seen a tree. So has every cat, squirrel, and chipmunk when chased by a dog. The bee has a concept of a flower, the eagle a concept of a sheer-faced rocky ledge, as a nesting thrush has a concept of a crotch of upper branch awninged with green leaves. Concepts are simply classes of behaviorally equivalent things. Root concepts are prior to experience. They are fundamental to the aptic structures that allow behavior to occur at all.8

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8 Aptic structures are the neurological basis of aptitudes that are composed of an innate evolved aptic paradigm plus the results of experience in development. The term is the heart of an unpublished essay of mine and is meant to replace such problematic words as instincts. They are organizations of the brain, always partially innate, that make the organism apt to behave in a certain way under certain conditions.

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Indeed what MĂŒller should have said was, no one has ever been conscious of a tree. For consciousness, indeed, not only is not the repository of concepts; it does not usually work with them at all! When we consciously think of a tree, we are indeed conscious of a particular tree, of the fir or the oak or the elm that grew beside our house, and let it stand for the concept, just as we can let a concept word stand for it as well. In fact, one of the great functions of language is to let the word stand for a concept, which is exactly what we do in writing or speaking about conceptual material. And we must do this because concepts are usually not in consciousness at all.

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A third important misconception of consciousness is that it is the basis for learning. Particularly for the long and illustrious series of Associationist psychologists through the eighteenth and nineteenth centuries, learning was a matter of ideas in consciousness being grouped by similarity, contiguity, or occasionally some other relationship. Nor did it matter whether we were speaking of a man or an animal; all learning was “profiting from experience” or ideas coming together in consciousness—as I said in the Introduction. And so contemporary common knowledge, without realizing quite why, has culturally inherited the notion that consciousness is necessary for learning.

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The matter is somewhat complex. It is also unfortunately disfigured in psychology by a sometimes forbidding jargon, which is really an overgeneralization of the spinal-reflex terminology of the nineteenth century. But, for our purposes, we may consider the laboratory study of learning to have been of three central kinds, the learning of signals, skills, and solutions. Let us take up each in turn, asking the question, is consciousness necessary?

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Signal learning (or classical or Pavlovian conditioning) is the simplest example. If a light signal immediately followed by a puff of air through a rubber tube is directed at a person’s eye about ten times, the eyelid, which previously blinked only to the puff of air, will begin to blink to the light signal alone, and this becomes more and more frequent as trials proceed.9 Subjects who have undergone this well-known procedure of signal learning report that it has no conscious component whatever. Indeed, consciousness, in this example the intrusion of voluntary eye blinks to try to assist the signal learning, blocks it from occurring.

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9 G. A. Kimble, “Conditioning as a function of the time between conditioned and unconditioned stumuli,” Journal of Experimental Psychology, 1947, 37 1–15.

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In more everyday situations, the same simple associative learning can be shown to go on without any consciousness that it has occurred. If a distinct kind of music is played while you are eating a particularly delicious lunch, the next time you hear the music you will like its sounds slightly more and even have a little more saliva in your mouth. The music has become a signal for pleasure which mixes with your judgment. And the same is true for paintings.10 Subjects who have gone through this kind of test in the laboratory, when asked why they liked the music or paintings better after lunch, could not say. They were not conscious they had learned anything. But the really interesting thing here is that if you know about the phenomenon beforehand and are conscious of the contingency between food and the music or painting, the learning does not occur. Again, consciousness actually reduces our learning abilities of this type, let alone not being necessary for them.

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10 These studies are those of Gregory Razran and are discussed on page 232 of his Mind in Evolution (Boston Houghton Mifflin, 1971). They are discussed critically in relation to the whole problem of unintentional learning by T. A. Ryan, Intentional Behavior (New York: Ronald Press, 1970), pp. 235–235.

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As we saw earlier in the performance of skills, so in the learning of skills, consciousness is indeed like a helpless spectator, having little to do. A simple experiment will demonstrate this fact. Take a coin in each hand and toss them both, crossing them in the air in such a way that each coin is caught by the opposite hand. This you can learn in a dozen trials. As you do, ask, are you conscious of everything you do? Is consciousness necessary at all? I think you will find that learning is much better described as being ‘organic’ rather than conscious. Consciousness takes you into the task, giving you the goal to be reached. But from then on, apart perhaps from fleeting neurotic concerns about your abilities at such tasks, it is as if the learning is done for you. Yet the nineteenth century, taking consciousness to be the whole architect of behavior, would have tried to explain such a task as consciously recognizing the good and bad motions, and by free choice repeating the former and dropping out the latter!

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The learning of complex skills is no different in this respect. Typewriting has been extensively studied, it generally being agreed in the words of one experimenter “that all adaptations and short cuts in methods were unconsciously made, that is, fallen into by the learners quite unintentionally. The learners suddenly noticed that they were doing certain parts of the work in a new and better way.”11

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11 W. F. Book, The Psychology of Skill (New York Gregg, 1925).

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In the coin-tossing experiment, you may have even discovered that consciousness if present impeded your learning. This is a very common finding in the learning of skills, just as we saw it was in their performance. Let the learning go on without your being too conscious of it, and it is all done more smoothly and efficiently. Sometimes too much so, for, in complex skills like typing, one may learn to consistently type ‘hte’ for ‘the’. The remedy is to reverse the process by consciously practicing the mistake ‘hte’, whereupon contrary to the usual idea of ‘practice makes perfect’, the mistake drops away—a phenomenon called negative practice.

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In the common motor skills studied in the laboratory as well, such as complex pursuit-rotor systems or mirror-tracing, the subjects who are asked to be very conscious of their movements do worse.12

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12 H. L. Waskom, “An experimental analysis of incentive and forced application and their effect upon learning,” Journal of Psychology, 1936, 2: 393–408.

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And athletic trainers whom I have interviewed are unwittingly following such laboratory-proven principles when they urge their trainees not to think so much about what they are doing. The Zen exercise of learning archery is extremely explicit on this, advising the archer not to think of himself as drawing the bow and releasing the arrow, but releasing himself from the consciousness of what he is doing by letting the bow stretch itself and the arrow release itself from the fingers at the proper time.

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Solution learning (or instrumental learning or operant conditioning) is a more complex case. Usually when one is acquiring some solution to a problem or some path to a goal, consciousness plays a very considerable role in setting up the problem in a certain way. But consciousness is not necessary. Instances can be shown in which a person has no consciousness whatever of either the goal he is seeking or the solution he is finding to achieve that goal.

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Another simple experiment can demonstrate this. Ask someone to sit opposite you and to say words, as many words as he can think of, pausing two or three seconds after each of them for you to write them down. If after every plural noun (or adjective, or abstract word, or whatever you choose) you say “good” or “right” as you write it down, or simply “mmm-hmip” or smile, or repeat the plural word pleasantly, the frequency of plural nouns (or whatever) will increase significantly as he goes on saying words. The important thing here is that the subject is not aware that he is learning anything at all.13 He is not conscious that he is trying to find a way to make you increase your encouraging remarks, or even of his solution to that problem. Every day, in all our conversations, we are constantly training and being trained by each other in this manner, and yet we are never conscious of it.

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13 J. Greenspoon, “The reinforcing effect of two spoken sounds on the frequency of two responses,” American Journal of Psychology, 1955, 68 409–416. But there is considerable controversy here, particularly in the order and wording of postexperimental questions. There may even be a kind of tacit contract between subject and experimenter. See Robert Rosenthal, Experimenter Effects in Behavioral Research (New York Appleton-Century-Crofts, 1966). In this controversy, I presently agree with Postman that the learning occurs before the subject becomes conscious of the reinforcement contingency, and indeed that consciousness would not occur unless this had been so. L. Postman and L. Sassenrath, “The automatic action of verbal rewards and punishment,” Journal of General Psychology, 1961, 65, 109–136.

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Such unconscious learning is not confined to verbal behavior. Members of a psychology class were asked to compliment any girl at the college wearing red. Within a week the cafeteria was a blaze of red (and friendliness), and none of the girls was aware of being influenced. Another class, a week after being told about unconscious learning and training, tried it on the professor. Every time he moved toward the right side of the lecture hall, they paid rapt attention and roared at his jokes. It is reported that they were almost able to train him right out the door, he remaining unaware of anything unusual.14

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14 W. Lambert Gardiner, Psychology: A Story of a Search (Belmont, California: Brooks/Cole, 1970), p. 76.

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The critical problem with most of these studies is that if the subject decided beforehand to look for such contingencies, he would of course be conscious of what he was learning to do. One way to get around this is to use a behavioral response which is imperceptible to the subject. And this has been done, using a very small muscle in the thumb whose movements are imperceptible to us and can only be detected by an electrical recording apparatus. The subjects were told that the experiments were concerned with the effect of intermittent unpleasant noise combined with music upon muscle tension. Four electrodes were placed on their bodies, the only real one being the one over the small thumb muscle, the other three being dummy electrodes. The apparatus was so arranged that whenever the imperceptible thumb-muscle twitch was electrically detected, the unpleasant noise was stopped for 15 seconds if it was already sounding, or delayed for 15 seconds if was not turned on at the time of the twitch. In all subjects, the imperceptible thumb twitch that turned off the distressing noise increased in rate without the subjects’ being the slightest bit conscious that they were learning to turn off the unpleasant noise.15

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15 R. F. Hefferline, B. Keenan, R. A. Harford, “Escape and avoidance conditioning in human subjects without their observation of the response,” Science, 1959, 130: 1338–1339. Another study which shows unconscious solution learning very clearly is that of J. D. Keehn, “Experimental Studies of the Unconscious: operant conditioning of unconscious eye blinking,” Behavior Research and Therapy, 1967, 5: 95–102.

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Thus, consciousness is not a necessary part of the learning process, and this is true whether it be the learning of signals, skills, or solutions. There is, of course, much more to say on this fascinating subject, for the whole thrust of contemporary research in behavior modification is along these lines. But, for the present, we have simply established that the older doctrine that conscious experience is the substrate of all learning is clearly and absolutely false. At this point, we can at least conclude that it is possible—possible I say—to conceive of human beings who are not conscious and yet can learn and solve problems.

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Consciousness Not Necessary for Thinking

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Let us begin with the type of thinking that ends in a result to which may be predicated the terms right or wrong. This is what is commonly referred to as making judgments, and is very similar to one extreme of solution learning that we have just discussed.

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A simple experiment, so simple as to seem trivial, will bring us directly to the heart of the matter. Take any two unequal objects, such as a pen and pencil or two unequally filled glasses of water, and place them on the desk in front of you. Then, partly closing your eyes to increase your attention to the task, pick up each one with the thumb and forefinger and judge which is heavier. Now introspect on everything you are doing. You will find yourself conscious of the feel of the objects against the skin of your fingers, conscious of the slight downward pressure as you feel the weight of each, conscious of any protuberances on the sides of the objects, and so forth. And now the actual judging of which is heavier. Where is that? Lo! the very act of judgment that one object is heavier than the other is not conscious. It is somehow just given to you by your nervous system. If we call that process of judgment thinking, we are finding that such thinking is not conscious at all. A simple experiment, yes, but extremely important. It demolishes at once the entire tradition that such thought processes are the structure of the conscious mind.

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This type of experiment came to be studied extensively back at the beginning of this century in what came to be known as the Wurzburg School. It all began with a study by Karl Marbe in 1901, which was very similar to the above, except that small weights were used.16 The subject was asked to lift two weights in front of him, and place the one that was heavier in front of the experimenter, who was facing him. And it came as a startling discovery both to the experimenter himself and to his highly trained subjects, all of them introspective psychologists, that the process of judgment itself was never conscious. Physics and psychology always show interesting contrasts, and it is one of the ironies of science that the Marbe experiment, so simple as to seem silly, was to psychology what the so-difficult-to-set-up Michaelson-Morley experiment was to physics. Just as the latter proved that the ether, that substance supposed to exist throughout space, did not exist, so the weight-judgment experiment showed that judging, that supposed hallmark of consciousness, did not exist in consciousness at all.

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But a complaint can be lodged here. Maybe in lifting the objects the judging was all happening so fast that we forgot it. After all, in introspecting we always have hundreds of words to describe what happens in a few seconds. (What an astonishing fact that is!) And our memory fades as to what just happened even as we are trying to express it. Perhaps this was what was occurring in Marbe’s experiment, and that type of thinking called judging could be found in consciousness, after all, if we could only remember.

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This was the problem as Watt faced it a few years after Marbe.17 To solve it, he used a different method, word associations. Nouns printed on cards were shown to the subject, who was to reply by uttering an associate word as quickly as he could. It was not free association, but what is technically called partially constrained: in different series the subject was required to associate to the visual word a superordinate (e.g., oak-tree), coordinate (oak-elm), or subordinate (oak-beam); or a whole (oak-forest), a part (oak-acorn), or another part of a common whole (oak-path). The nature of this task of constrained associations made it possible to divide the consciousness of it into four periods: the instructions as to which of the constraints it was to be (e.g., superordinate), the presentation of the stimulus noun (e.g., oak), the search for an appropriate association, and the spoken reply (e.g., tree). The introspecting observers were asked to confine themselves first to one period and then to another, and thus get a more accurate account of consciousness in each.

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16 K. Marbe, Experimentell-Psychologische Untersuchungen uber das Urteil, cine Einleitung in die Logik (Leipzig: Engelmann, 1901).

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17 H. J. Watt, “Experimentelle Beitrage zur einer Theorie det Denkens,” Archiv fĂŒr geschite der Psychologie, 1905, 4: 289–436.

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It was expected that the precision of this fractionation method would prove Marbe’s conclusions wrong, and that the consciousness of thinking would be found in Watt’s third period, the period of the search for the word that would suit the particular constrained association. But nothing of the sort happened. It was the third period that was introspectively blank. What seemed to be happening was that thinking was automatic and not really conscious once a stimulus word had been given, and, previous to that, the particular type of association demanded had been adequately understood by the observer. This was a remarkable result. Another way of saying it is that one does one’s thinking before one knows what one is to think about. The important part of the matter is the instruction, which allows the whole business to go off automatically. This I shall shorten to the term struction, by which I mean it to have the connotation of both instruction and construction.18

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18 The terms set, determining tendency, and struction need to be distinguished. A set is the more inclusive term, being an engaged aptic structure which in mammals can be ordered from a general limbic component of readiness to a specific cortical component of a determining tendency, the final part of which in humans is often a struction.

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Thinking, then, is not conscious. Rather, it is an automatic process following a struction and the materials on which the struction is to operate.

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But we do not have to stay with verbal associations; any type of problem will do, even those closer to voluntary actions. If I say to myself, I shall think about an oak in summer, that is a struction, and what I call thinking about is really a file of associated images cast up on the shores of my consciousness out of an unknown sea, just like the constrained associations in Watt’s experiment.

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If we have the figures 6 and 2, divided by a vertical line, 6|2, the ideas produced by such a stimulus will be eight, four, or three, according to whether the struction prescribed is addition, subtraction, or division. The important thing is that the struction itself, the process of addition, subtraction, or division, disappears into the nervous system once it is given. But it is obviously there ‘in the mind’ since the same stimulus can result in any of three different responses. And that is something we are not in the least aware of, once it is put in motion.

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Suppose we have a series of figures such as the following:

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What is the next figure in this series? How did you arrive at your answer? Once I have given you the struction, you automatically ‘see’ that it is to be another triangle. I submit that if you try to introspect on the process by which you came up with the answer you are not truly retrieving the processes involved, but inventing what you think they must have been by giving yourself another struction to that effect. In the task itself, all you were really conscious of was the struction, the figures before you on the page, and then the solution.

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Nor is this different from the case of speech which I mentioned earlier. When we speak, we are not really conscious either of the search for words, or of putting the words together into phrases, or of putting the phrases into sentences. We are only conscious of the ongoing series of structions that we give ourselves, which then, automatically, without any consciousness whatever, result in speech. The speech itself we can be conscious of as it is produced if we wish, thus giving some feedback to result in further structions.

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So we arrive at the position that the actual process of thinking, so usually thought to be the very life of consciousness, is not conscious at all and that only its preparation, its materials, and its end result are consciously perceived.

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The long tradition of man as the rational animal, the tradition that enthroned him as Homo sapiens, rests in all its pontifical generality on the gracile assumption that consciousness is the seat of reason. Any discussion of such an assumption is embarrassed by the vagueness of the term reason itself. This vagueness is the legacy we have from an older ‘faculty’ psychology that spoke of a ‘faculty’ of reason, which was of course situated ‘in’ consciousness. And this forced deposition of reason and consciousness was further confused with ideas of truth, of how we ought to reason, or logic—all quite different things. And hence logic was supposed to be the structure of conscious reason confounding generations of poor scholars who knew perfectly well that syllogisms were not what was on their side of introspection.

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Reasoning and logic are to each other as health is to medicine, or—better—as conduct is to morality. Reasoning refers to a gamut of natural thought processes in the everyday world. Logic is how we ought to think if objective truth is our goal—and the everyday world is very little concerned with objective truth. Logic is the science of the justification of conclusions we have reached by natural reasoning. My point here is that, for such natural reasoning to occur, consciousness is not necessary. The very reason we need logic at all is because most reasoning is not conscious at all.

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Consider to begin with the many phenomena we have already established as going on without consciousness which can be called elementary kinds of reasoning. Choosing paths, words, notes, motions, the perceptual corrections in size and color constancies—all are primitive kinds of reasoning that go on without any prod, nudge, or even glance of consciousness.

50

Even the more standard types of reasoning can occur without consciousness. A boy, having observed on one or more past occasions that a particular piece of wood floats on a particular pond, will conclude directly in a new instance that another piece of wood will float on another pond. There is no collecting together of past instances in consciousness, and no necessary conscious process whatever when the new piece of wood is seen directly as floating on the new pond. This is sometimes called reasoning from particulars, and is simply expectation based on generalization. Nothing particularly extraordinary. It is an ability common to all the higher vertebrates. Such reasoning is the structure of the nervous system, not the structure of consciousness.

50

But more complex reasoning without consciousness is continually going on. Our minds work much faster than consciousness can keep up with. We commonly make general assertions based on our past experiences in an automatic way, and only as an afterthought are we sometimes able to retrieve any of the past experiences on which an assertion is based. How often we reach sound conclusions and are quite unable to justify them! Because reasoning is not conscious. And consider the kind of reasoning that we do about others’ feelings and character, or in reasoning out the motives of others from their actions. These are clearly the result of automatic inferences by our nervous systems in which consciousness is not only unnecessary, but, as we have seen in the performance of motor skills, would probably hinder the process.19

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19 Such instances were early recognized as not conscious and were called “automatic inference” or “common sense.” Discussions can be found in Sully, Mill, and other nineteenth-century psychologists.

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Surely, we exclaim, this cannot be true of the highest processes of intellectual thought! Surely there at last we will come to the very empire of consciousness, where all is spread out in a golden clarity and all the orderly processes of reason go on in a full publicity of awareness. But the truth has no such grandeur. The picture of a scientist sitting down with his problems and using conscious induction and deduction is as mythical as a unicorn. The greatest insights of mankind have come more mysteriously. Helmholtz had his happy thoughts which “often enough crept quietly into my thinking without my suspecting their importance 
 in other cases they arrived suddenly, without any effort on my part 
 they liked especially to make their appearance while I was taking an easy walk over wooded hills in sunny weather!”20

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20 As quoted by Robert S. Woodworth, Experimental Psychology (New York: Holt, 1938), p. 818.

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And Gauss, referring to an arithmetical theorem which he had unsuccessfully tried to prove for years, wrote how “like a sudden flash of lightning, the riddle happened to be solved. I myself cannot say what was the conducting thread which connected what I previously knew with what made my success possible.”21

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21 As quoted by Jacques Hadamard, The Psychology of Invention in the Mathematical Field (Princeton: Princeton University Press, 1945), p. 15.

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And the brilliant mathematician PoincarĂ© was particularly interested in the manner in which he came upon his own discoveries. In a celebrated lecture at the SociĂ©tĂ© de Psychologie in Paris, he described how he set out on a geologic excursion: “The incidents of the journey made me forget my mathematical work. Having reached Coutances, we entered an omnibus to go some place or other. At the moment when I put my foot on the step, the idea came to me, without anything in my former thoughts seeming to have paved the way for it, the transformation I had used to define the Fuchsian functions were identical with those of non-Euclidian geometry!”22

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22 Henri PoincarĂ©, “Mathematical creation,” in his The Foundations of Science, G. Bruce Halsted, trans. (New York. The Science Press, 1913), p. 387.

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It does seem that it is in the more abstract sciences, where the materials of scrutiny are less and less interfered with by everyday experience, that this business of sudden flooding insights is most obvious. A close friend of Einstein’s has told me that many of the physicist’s greatest ideas came to him so suddenly while he was shaving that he had to move the blade of the straight razor very carefully each morning, lest he cut himself with surprise. And a well-known physicist in Britain once told Wolfgang Köhler, “We often talk about the three B’s, the Bus, the Bath, and the Bed. That is where the great discoveries are made in our science.”

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The essential point here is that there are several stages of creative thought: first, a stage of preparation in which the problem is consciously worked over; then a period of incubation without any conscious concentration upon the problem; and then the illumination which is later justified by logic. The parallel between these important and complex problems and the simple problems of judging weights or the circle-triangle series is obvious. The period of preparation is essentially the setting up of a complex struction together with conscious attention to the materials on which the struction is to work. But then the actual process of reasoning, the dark leap into huge discovery, just as in the simple trivial judgment of weights, has no representation in consciousness. Indeed, it is sometimes almost as if the problem had to be forgotten to be solved.

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The final fallacy which I wish to discuss is both important and interesting, and I have left it for the last because I think it deals the coup de grĂące to the everyman theory of consciousness. Where does consciousness take place?

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Everyone, or almost everyone, immediately replies, in my head. This is because when we introspect, we seem to look inward on an inner space somewhere behind our eyes. But what on earth do we mean by ‘look’? We even close our eyes sometimes to introspect even more clearly. Upon what? Its spatial character seems unquestionable. Moreover we seem to move or at least ‘look’ in different directions. And if we press ourselves too strongly to further characterize this space (apart from its imagined contents), we feel a vague irritation, as if there were something that did not want to be known, some quality which to question was somehow ungrateful, like rudeness in a friendly place.

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We not only locate this space of consciousness inside our own heads. We also assume it is there in others’. In talking with a friend, maintaining periodic eye-to-eye contact (that remnant of our primate past when eye-to-eye contact was concerned in establishing tribal hierarchies), we are always assuming a space behind our companion’s eyes into which we are talking, similar to the space we imagine inside our own heads where we are talking from.

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And this is the very heartbeat of the matter. For we know perfectly well that there is no such space in anyone’s head at all! There is nothing inside my head or yours except physiological tissue of one sort or another. And the fact that it is predominantly neurological tissue is irrelevant.

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Now this thought takes a little thinking to get used to. It means that we are continually inventing these spaces in our own and other people’s heads, knowing perfectly well that they don’t exist anatomically; and the location of these ‘spaces’ is indeed quite arbitrary. The Aristotelian writings,23 for example, located consciousness or the abode of thought in and just above the heart, believing the brain to be a mere cooling organ since it was insensitive to touch or injury. And some readers will not have found this discussion valid since they locate their thinking selves somewhere in the upper chest. For most of us, however, the habit of locating consciousness in the head is so ingrained that it is difficult to think otherwise. But, actually, you could, as you remain where you are, just as well locate your consciousness around the corner in the next room against the wall near the floor, and do your thinking there as well as in your head. Not really just as well. For there are very good reasons why it is better to imagine your mind-space inside of you, reasons to do with volition and internal sensations, with the relationship of your body and your ‘I’ which will become apparent as we go on.

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That there is no phenomenal necessity in locating consciousness in the brain is further reinforced by various abnormal instances in which consciousness seems to be outside the body. A friend who received a left frontal brain injury in the war regained consciousness in the corner of the ceiling of a hospital ward looking down euphorically at himself on the cot swathed in bandages. Those who have taken lysergic acid diethylamide commonly report similar out-of-the-body or exosomatic experiences, as they are called. Such occurrences do not demonstrate anything metaphysical whatever; simply that locating consciousness can be an arbitrary matter.

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Let us not make a mistake. When I am conscious, I am always and definitely using certain parts of my brain inside my head. But so am I when riding a bicycle, and the bicycle riding does not go on inside my head. The cases are different of course, since bicycle riding has a definite geographical location, while consciousness does not. In reality, consciousness has no location whatever except as we imagine it has.

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If our reasonings have been correct, it is perfectly possible that there could have existed a race of men who spoke, judged, reasoned, solved problems, indeed did most of the things that we do, but who were not conscious at all.

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Chapter 6

The Moral Consciousness of the Khabiru

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The Elohim. Another observation I would like to make concerns that very important word which governs the whole first chapter of Genesis, elohim. It is usually incorrectly translated in the singular as God. ‘Elohim’ is a plural form; it can be used collectively taking a. singular verb, or as a regular plural taking a plural verb. It comes from the root of ‘to be powerful’, and better translations of ‘elohim’ might be the great ones, the prominent ones, the majesties, the judges, the mighty ones, etc.

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From the point of view of the present theory, it is clear that elohim is a general term referring to the voice-visions of the bicameral mind. The creation story of the first chapter of Genesis is thus a rationalization of the bicameral voices at the edge of subjectivity. “In the beginning the voices created heaven and earth.” Taken as such, it becomes a more general myth that could have been indigenous to all of the ancient bicameral civilizations.

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He-who-is. At the particular time in history that we pick up the story as the Pentateuch has put it together, there are only a few remaining elohim in contrast to the large number that probably previously existed. The most important is one recognized as Yahweh, which among several possibilities is most often translated as He-who-is.5 Evidently one particular group of the Khabiru, as the prophetic subjective age was approaching, was following only the voice of He-who-is, and rewrote the elohim creation story in a much warmer and more human way, making He-who-is the only real elohah. And this becomes the creation story as told from Genesis 2:4 et seq. And these two stories then interweave with other elements from other sources to form the first books of the Bible.

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Other elohim are occasionally mentioned throughout the older parts of the Old Testament. The most important of them is Ba’al, usually translated as the Owner. In the Canaan of the times, there were many Owners, one to each village, in the same way that many Catholic cities today have their own Virgin Marys, and yet they are all the same one.

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Paradise Lost. A further observation could be made upon the story of the Fall and how it is possible to look upon it as a myth of the breakdown of the bicameral mind. The Hebrew arum, meaning crafty or deceitful, surely a conscious subjective word, is only used three or four times throughout the entire Old Testament. It is here used to describe the source of the temptation. The ability to deceive, we remember, is one of the hallmarks of consciousness. The serpent promises that “you shall be like the elohim themselves, knowing good and evil” (Genesis 3:5), qualities that only subjective conscious man is capable of. And when these first humans had eaten of the tree of knowledge, suddenly “the eyes of them both were opened,” their analog eyes in their metaphored mind-space, “and they knew that they were naked” (Genesis 3:7), or had autoscopic visions and were narratizing, seeing themselves as others see them.6 And so is their sorrow “greatly multipled” (Genesis 3:16) and they are cast out from the garden where He-who-is could be seen and talked with like another man.

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6 It is interesting in this connection to read Maimonides, Guide of the Perplexed, I.2.

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As a narratization of the breakdown of the bicameral mind and the coming of consciousness, the story should be rationalistically contrasted with the Odyssey as discussed in the previous chapter. But the problems are similar, as is thé awe we should feel toward its unknown composition.

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Chapter 6

The Auguries of Science

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what is the nature of this blessing of certainty that science so devoutly demands in its very Jacob-like wrestling with nature? Why should we demand that the universe make itself clear to us? Why do we care?

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To be sure, a part of the impulse to science is simple curiosity, to hold the unheld and watch the unwatched. We are all children in the unknown. It is no reaction to the loss of an earlier mentality to delight in the revelations of the electron miscroscope or in quarks or in negative gravity in black holes among the stars. Technology is a second and even more sustaining source of the scientific ritual, carrying its scientific basis forward on its own increasing and uncontrollable momentum through history. And perhaps a deep aptic structure for hunting, for bringing a problem to bay, adds its motivational effluence to the pursuit of truth.

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But over and behind these and other causes of science has been something more universal, something in this age of specialization often unspoken. It is something about understanding the totality of existence, the essential defining reality of things, the entire universe and man’s place in it. It is a groping among stars for final answers, a wandering the infinitesimal for the infinitely general, a deeper and deeper pilgrimage into the unknown. It is a direction whose far beginning in the mists of history can be distantly seen in the search for lost directives in the breakdown of the bicameral mind.

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It is a search that is obvious in the omen literature of Assyria where, as we saw in II.4, science begins. It is also obvious a mere half millennium later when Pythagoras in Greece is seeking the lost invariants of life in a theology of divine numbers and their relationships, thus beginning the science of mathematics. And so through two millennia, until, with a motivation not different, Galileo calls mathematics the speech of God, or Pascal and Leibnitz echo him, saying they hear God in the awesome rectitudes of mathematics.

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We sometimes think, and even like to think, that the two greatest exertions that have influenced mankind, religion and science, have always been historical enemies, intriguing us in opposite directions. But this effort at special identity is loudly false. It is not religion but the church and science that were hostile to each other. And it was rivalry, not contravention. Both were religious. They were two giants fuming at each other over the same ground. Both proclaimed to be the only way to divine revelation.

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It was a competition that first came into absolute focus with the late Renaissance, particularly in the imprisonment of Galileo in 1633. The stated and superficial reason was that his publications had not been first stamped with papal approval. But the true argument, I am sure, was no such trivial surface event. For the writings in question were simply the Copernican heliocentric theory of the solar system which had been published a century earlier by a churchman without any fuss whatever. The real division was more profound and can, I think, only be understood as a part of the urgency behind mankind’s yearning for divine certainties. The real chasm was between the political authority of the church and the individual authority of experience. And the real question was whether we are to find our lost authorization through an apostolic succession from ancient prophets who heard divine voices, or through searching the heavens of our own experience right now in the objective world without any priestly intercession. As we all know, the latter became Protestantism and, in its rationalist aspect, what we have come to call the Scientific Revolution.

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If we would understand the Scientific Revolution correctly, we should always remember that its most powerful impetus was the unremitting search for hidden divinity. As such, it is a direct descendant of the breakdown of the bicameral mind. In the late seventeenth century, to choose an obvious example, it is three English Protestants, all amateur theologians and fervently devout, who build the foundations for physics, psychology, and biology: the paranoiac Isaac Newton writing down God’s speech in the great universal laws of celestial gravitation; the gaunt and literal John Locke knowing his Most Knowing Being in the riches of knowing experience; and the peripatetic John Ray, an unkempt ecclesiastic out of a pulpit, joyfully limning the Word of his Creator in the perfection of the design of animal and plant life. Without this religious motivation, science would have been mere technology, limping along on economic necessity.

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The next century is complicated by the rationalism of the Enlightenment, whose main force I shall come to in a moment. But in the great shadow of the Enlightenment, science continued to be bound up in this spell of the search for divine authorship. Its most explicit statement came in what was called Deism, or in Germany, Vernunftreligion. It threw away the church’s “Word,” despised its priests, mocked altar and sacrament, and earnestly preached the reaching of God through reason and science. The whole universe is an epiphany! God is right out here in Nature under the stars to be talked with and heard brilliantly in all the grandeur of reason, rather than behind the rood screens of ignorance in the murky mutterings of costumed priests.

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Not that such scientific deists were in universal agreement. For some, like the apostle-hating Reimarus, the modern founder of the science of animal behavior, animal triebe or drives were actually the thoughts of God and their perfect variety his very mind. Whereas for others, like the physicist. Maupertuis, God cared little about any such meaningless variety of phenomena; he lived only in pure abstractions, in the great general laws of Nature which human reason, with the fine devotions of mathematics, could discern behind such variety.1 Indeed, the tough-minded materialist scientist today will feel uncomfortable with the fact that science in such divergent and various directions only two centuries ago was a religious endeavor, sharing the same striving as the ancient psalms, the effort to once again see the elohim “face to face.”

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This drama, this immense scenario in which humanity has been performing on this planet over the last 4000 years, is clear when we take the large view of the central intellectual tendency of world history. In the second millennium B.C., we stopped hearing the voices of gods. In the first millennium B.C., those of us who still heard the voices, our oracles and prophets, they too died away. In the first millennium A.D., it is their sayings and hearings preserved in sacred texts through which we obeyed our lost divinities. And in the second millennium A.D., these writings lose their authority. The Scientific Revolution turns us away from the older sayings to discover the lost authorization in Nature. What we have been through in these last four millennia is the slow inexorable profaning of our species. And in the last part of the second millennium A.D., that process is apparently becoming complete. It is the Great Human Irony of our noblest and greatest endeavor on this planet that in the quest for authorization, in our reading of the language of God in Nature, we should read there so clearly that we have been so mistaken.

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This secularization of science, which is now a plain fact, is certainly rooted in the French Enlightenment which I have just alluded to. But it became rough and earnest in 1842 in Germany in a famous manifesto by four brilliant young physiologists. They signed it like pirates, actually in their own blood. Fed up with Hegelian idealism and its pseudoreligious interpretations of material matters, they angrily resolved that no forces other than common physicochemical ones would be considered in their scientific activity. No spiritual entities. No divine substances. No vital forces. This was the most coherent and shrill statement of scientific materialism up to that time. And enormously influential.

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Five years later, one of their group, the famous physicist and psychologist Hermann von Helmholtz, proclaimed his Principle of the Conservation of Energy. Joule had said it more kindly, that “the Great Agents of Nature are indestructible,” that sea and sun and coal and thunder and heat and wind are one energy and eternal. But Helmholtz abhorred the mush of the Romantic. His mathematical treatment of the principle coldly placed the emphasis where it has been ever since: there are no outside forces in our closed world of energy transformations. There is no comer in the stars for any god, no crack in this closed universe of matter for any divine influence to seep through, none whatever.

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All this might have respectfully stayed back simply as a mere working tenet for Science, had it not been for an even more stunning profaning of the idea of the holy in human affairs that followed immediately. It was particularly stunning because it came from within the very ranks of religiously motivated science. In Britain since the seventeenth century, the study of what was called “natural history” was commonly the consoling joy of finding the perfections of a benevolent Creator in nature. What more devastation could be heaped upon these tender motivations and consolations than the twin announcement by two of their own midst, Darwin and Wallace, both amateur naturalists in the grand manner, that it was evolution, not a divine intelligence, that has created all nature. This too had been put earlier in a kindlier way by others, such as Darwin’s grandfather, Erasmus Darwin, or Lamarck, or Robert Chambers, or even in the exaltations of an Emerson or a Goethe. But the new emphasis was dazzling strong and unrelieving. Cold Uncalculating Chance, by making some able to survive better in this wrestle for life, and so to reproduce more, generation after generation, has blindly, even cruelly, carved this human species out of matter, mere matter. When combined with German materialism, as it was in the wantonly abrasive Huxley, as we saw in the Introduction to this essay, the theory of evolution by natural selection was the hollowing knell of all that ennobling tradition of man as the purposed creation of Majestic Greatnesses, the elohim, that goes straight back into the unconscious depths of the Bicameral Age. It said in a word that there is no authorization from outside. Behold! there is nothing there. What we must do must come from ourselves. The king at Eynan can stop staring at Mount Hermon; the dead king can die at last. We, we fragile human species at the end of the second millennium A.D., we must become our own authorization. And here at the end of the second millennium and about to enter the third, we are surrounded with this problem. It is one that the new millennium will be working out, perhaps slowly, perhaps swiftly, perhaps even with some further changes in our mentality.